Method and media are interconnected in Ashlee Hallas’ portfolio. Her approach often consists of deconstruction and collage.

@ashlee_hallas_art

Mia Ferullo uses self portraiture as a method to regain control over the perception of one’s body, depicting her figure unapologetically in paintings.

www.miaferulloart.co.uk

@miaferulloart

Bethany Wilson’s work explores bodily landscapes through drawing, mark-making and staining with inks and watered-down pigments. 

@bethanyjaynestudio 

Jess Hargreaves describes her practice as “contemporary irreverence.” Through her work, she translates personal reactions to the everyday. 

www.hargreavesart.weebly.com 

@hargreavesart 

Ellie Greensmith’s work taps into the widespread emotions from the past 12 months, exploring crucial conversations about mental health. 

@wombonthe3rdfloor 

Maria Anderson is an abstract artist whose work challenges personal identity within the surrounding environment. 

mariasamanderson.wixsite.com/msart 
@marizona_art 

Manipulating light is Amy Majed’s primary aesthetic, with both artificial and natural light coming together in an amalgamation of forms. 

@made_by_amyy_

www.amymajed.wixsite.com/artwork

John Cutting is driven to create awareness of the neglectful interferences that mankind has imposed on their natural surroundings. 

https://www.johncuttingvisualartist.co.uk/

Sophie Martin’s practice considers 2D and 3D approaches to painting through the use of multiple delicate and easily manipulated materials. 

www.sophiemartinart.co.uk 

@sophie_martinart 

Laura Campbell communicates her experience of chronic illness and the impact it has on the body through intimate and intrusive artworks.

www.lauracampbellart.co.uk

@laura.campbell.art

Natasha Ahmed is an artist who lives and works in Sunderland. She takes an abstract approach, with texture and colour being the main factors. 

www.natashasahmed.wixsite.com/natashaahmedart 

@__tashaart__ 

George Strachan’s drawing-based practice is rooted in experimentation, process and enquiry – making rubbings from a textured surface. 

@georgestrachan_art 

Making sculptural obstacles is a main theme within Lucy Nettleton’s practice; the artist compels the audience to engage with her work. 

@lucynettleton_artist 

Grace Alison used photography, sculpture and craft media to create a multi-dimensional series exploring her Nana’s home after being unused. 

gracealisonart.hotglue.me 

@grace.alison.art 

Steph Williams’ latest work addresses her experience of life in Covid19 lockdown: a personal struggle with the turmoil of heightened anxieties. 

@what.a.feckin.mess 

Hope Mitchell-Graham’s craft-based work focuses on her identity as a woman and how this intersects with a new identity as a disabled person. 

www.hopemitchellg.wixsite.com/website 

@hopemg_art 

Steventon’s work explores the link between writing and sewing, stitch and word. It’s an exploration of communication and messaging. 

www.natalie108ns.wixsite.com/stitched